make the situation more dangerous, might precipitate some treachery (спровоцировать,
вызвать какое-нибудь предательство, измену; to precipitate [prı’sıpıteıt] –
низвергать, повергать; ввергать; ускорять, торопить). At first, Sonny had thought of
fighting a holding action until the Don could become well enough to take charge, but
with the defection of the policy bankers, the terrorization of the bookmakers, the Family
position was becoming precarious (случайный; ненадежный, сомнительный,
опасный [prı’kε∂rı∂s]). He decided to strike back.
But he decided to strike right at the heart of the enemy. He planned the execution of
the heads of the five Families in one grand tactical maneuver. To that purpose he put
into effect an elaborate system of surveillance (надзор, наблюдение /напр. за
подозреваемым/ [s∂:’veıl∂ns]) of these leaders. But after a week the enemy chiefs
promptly dived underground and were seen no more in public.
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The Five Families and the Corleone Empire were in stalemate (пат /шахм./; мертвая
точка, тупик; stale – несвежий /хлеб/; спертый /воздух/; выдохшийся /спортсмен/).
Chapter 18
Amerigo Bonasera lived only a few blocks from his undertaking establishment on
Mulberry Street and so always went home for supper. Evenings he returned to his place
of business, dutifully joining those mourners paying their respects to the dead who lay in
state in his somber parlors.
He always resented the jokes made about his profession, the macabre (мрачный,
ужасный /франц./ [m∂'kα:br]; dance macabre – танец смерти /жанр средневекового
искусства/) technical details which were so unimportant. Of course none of his friends
or family or neighbors would make such jokes. Any profession was worthy of respect to
men who for centuries earned bread by the sweat of their brows.
Now at supper with his wife in their solidly furnished apartment, gilt statues of the
Virgin Mary with their red-glassed candles flickering on the sideboard, Bonasera lit a
Camel cigarette and took a relaxing glass of American whiskey. His wife brought
steaming plates of soup to the table. The two of them were alone now; he had sent his
daughter to live in Boston with her mother's sister, where she could forget her terrible
experience and her injuries at the hands of the two ruffians (хулиган, негодяй ['rΛfj∂n])
Don Corleone had punished.
As they ate their soup his wife asked, "Are you going back to work tonight?"
Amerigo Bonasera nodded. His wife respected his work but did not understand it. She
did not understand that the technical part of his profession was the least important. She
thought, like most other people, that he was paid for his skill in making the dead look so
lifelike in their coffins. And indeed his skill in this was legendary. But even more
important, even more necessary was his physical presence at the wake
(бодрствование; поминки /перед погребением/). When the bereaved family
(скорбящая, понесшая потерю семья; to bereave – лишать, отнимать) came at night
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to receive their blood relatives and their friends beside the coffin of their loved one, they
needed Amerigo Bonasera with them.
For he was a strict chaperone (опекун, сопровождающий; chaperone – пожилая
дама, сопровождающия молодую девушку на балы и пр.; компаньонка [‘∫жp∂r∂un])
to death. His face always grave, yet strong and comforting, his voice unwavering, yet
muted to a low register, he commanded the mourning ritual. He could quiet grief that
was too unseemly, he could rebuke (упрекать, делать выговор [rı’bju:k]) unruly
children whose parents had not the heart to chastise (подвергать наказанию
/особенно телесному/ [t∫жs’taız]). Never cloying (слащав; to cloy – пресыщать) in the
tender of his condolences, yet never was he offhand (импровизированный; /здесь/
бесцеремонный). Once a family used Amerigo Bonasera to speed a loved one on
(проводить, отправить в последний путь близкого человека), they came back to him
again and again. And he never, never, deserted one of his clients on that terrible last
night above ground.
Usually he allowed himself a little nap after supper. Then he washed and shaved
afresh, talcum powder generously used to shroud (посыпать, укрыть; shroud – саван;
пелена, покров) the heavy black beard. A mouthwash always. He respectfully changed
into fresh linen, white gleaming shirt, the black tie, a freshly pressed dark suit, dull black
shoes and black socks. And yet the effect was comforting instead of somber. He also
kept his hair dyed black, an unheard-of frivolity in an Italian male of his generation; but
not out of vanity. Simply because his hair had turned a lively pepper and salt, a color
which struck him as unseemly for his profession.
After he finished his soup, his wife placed a small steak before him with a few forkfuls
of green spinach oozing yellow oil. He was a light eater. When he finished this he drank
a cup of coffee and smoked another Camel cigarette. Over his coffee he thought about
his poor daughter. She would never be the same. Her outward beauty had been
restored but there was the look of a frightened animal in her eyes that had made him
unable to bear the sight of her. And so they had sent her to live in Boston for a time.
Time would heal her wounds. Pain and terror was not so final as death, as he well knew.
His work made him an optimist.
He had just finished the coffee when his phone in the living room rang. His wife never
answered it when he was home, so he got up and drained his cup and stubbed out his
cigarette. As he walked to the phone he pulled off his tie and started to unbutton his
shirt, getting ready for his little nap. Then he picked up the phone and said with quiet
courtesy, "Hello."
The voice on the other end was harsh, strained. "This is Tom Hagen," it said. "I'm
calling for Don Corleone, at his request."
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Amerigo Bonasera felt the coffee churning (churn – маслобойка, мешалка; to churn
– взбивать /масло/; взбалтывать, вспенивать) sourly in his stomach, felt himself
going a little sick. It was more than a year since he had put himself in the debt of the
Don to avenge his daughter's honor and in that time the knowledge that he must pay
that debt had receded. He had been so grateful seeing the bloody faces of those two
ruffians that he would have done anything for the Don. But time erodes gratitude more
quickly than it does beauty. Now Bonasera felt the sickness of a man faced with
disaster. His voice faltered as he answered, "Yes, I understand. I'm
listening."
He was surprised at the coldness in Hagen's voice. The Consigliori had always been
a courteous man, though not Italian, but now he was being rudely brusque. "You owe
the Don a service," Hagen said. "He has no doubt that you will repay him. That you will
be happy to have this opportunity. In one hour, not before, perhaps later, he will be at
your funeral parlor to ask for your help. Be there to greet him. Don't have any people
who work for you there. Send them home. If you have any objections to this, speak now
and I'll inform Don Corleone. He has other friends who can do him this service."
Amerigo Bonasera almost cried out in his fright, "How can you think I would refuse the
Godfather? Of course I'll do anything he wishes. I haven't forgotten my debt. I'll go to my
business immediately, at once."
Hagen's voice was gentler now, but there was something strange about it. "Thank
you," he said. "The Don never doubted you. The question was mine. Oblige him tonight
and you can always come to me in any trouble, you'll earn my personal friendship."
This frightened Amerigo Bonasera even more. He stuttered, "The Don himself is
coming to me tonight?"
"Yes," Hagen said.
"Then he's completely recovered from his injuries, thank God," Bonasera said. His
voice made it a question.
There was a pause at the other end of the phone, then Hagen's voice said very quietly,
"Yes." There was a click and the phone went dead.
Bonasera was sweating. He went into the bedroom and changed his shirt and rinsed
his mouth. But he didn't shave or use a fresh tie. He put on the same one he had used
during the day. He called the funeral parlor and told his assistant to stay with the
bereaved family using the front parlor that night. He himself would be busy in the
laboratory working area of the building. When the assistant started asking questions
Bonasera cut him off very curtly and told him to follow orders exactly.
91
He put on his suit jacket and his wife, still eating, looked up at him in surprise. "I have
work to do," he said and she did not dare question him because of the look on his face.
Bonasera went out of the house and walked the few blocks to his funeral parlor.
This building stood by itself on a large lot with a white picket fence running all around
it. There was a narrow roadway leading from the street to the rear, just wide enough for
ambulances and hearses (hearse [h∂:s] – катафалк, похоронные дроги). Bonasera
unlocked the gate and left it open. Then he walked to the rear of the building and
entered it through the wide door there. As he did so he could see mourners already
entering the front door of the funeral parlor to pay their respects to the current corpse.