Краткая библиография о Гомбрихе
Goodman N. Art and Illusion; a Study in the Psychology of Pictorial Representation by E.H. Gombrich [book review] // The Journal of Philosophy. 1960. Vol. 57. P. 595–599.
Ginzburg C. Da A. Warburg a E.H. Gombrich. Note sul un problema del metodo // Studii medievali. Ser. 3, VII. 1966. P. 1015–1065.
Berliner R. Die Rechtfertigung des Menschen // Münster. 1967. Bd. 20. S. 227–238.
Previtali G. E.H. Gombrich, conservatore viennese // Para gone. 1968. Vol. 19. P. 22–40.
Carrier D. Perspective as a Convention: On the Views of Nelson Goodman and Ernst Gombrich // Leonardo. 1980. Vol. 13. P. 283–287; Leonardo. 1981. Vol. 14. P. 86–87.
Carrier D. Gombrich on Art Historical Explanation // Leonardo. 1983. Vol. 16. H. 2. P. 91–96.
Blinder D. The Controversy over Conventionalism // The Journal of Aesthetics and Art Criticism. 1983. Vol. 41.
Kemp M. Seeing and Signs. E.H. Gombrich in Retrospect. Review of: E.H. Gombrich, The Image and the Eye. Further Studies in the Psychology of Pictorial Representation // Art History. 1984. Vol. 7. P. 228–243.
Onians J. (ed.). Sight and Insight. Essays on Art and Culture in Honor of E.H. Gombrich at 85. London, 1984.
Bryson N. Vision and Painting. The Logic of the Gaze. London, 1985.
Lepsky K. Ernst H. Gombrich: Theorie und Methode. Wien; Köln: Böhlau, 1991.
Masheck J. Alberti’s Window: Art-Historiographic Notes on an Antimodernist Misprision // Art Journal. 1991. Vol. 50. P. 34–41.
Woodfield R. (ed.). Gombrich on Art and Psychology. Manchester, 1996.
Wendland U. Biographisches Handbuch deutschsprachiger Kunsthistoriker im Exil: Leben und Werk der unter dem Nationalsozialismus verfolgten und vertriebenen Wissenschaftler. München: Saur, 1999. Vol. 1. P. 221–233.
Trapp J.B. E.H. Gombrich: A Bibliography. London, 2000.
Feister P.H. Gombrich Sir Ernst Hans Joseph // Metzler Kunsthistoriker Lexikon. 2. Aufl. Stuttgart-Weimar, 2007. S. 132–135.
Snyder S. Language in Art: Gombrich’s History of Representation and the Breakdown of Visual Communication // Paper presented at XXVII International Congress for Aesthetics. Ankara, 2007. July 2.
Gombrich E.H.: A Centenary Colloquium. Warburg Institute. London, 2009. 19–20 June.
1. Peter Burke (Cambridge University). Ernst Gombrich’s search for cultural history; 2. Harry Mount (Oxford Brookes University). Gombrich and the fathers (and mothers) of art history; 3. Patrick Cavanagh (Université Paris Descartes & Harvard University). The heritage of Apelles: Gombrich’s contribution to the visual neurosciences; 4. Jeroen Stumpel (Utrecht University). Gombrich’s schema: power and poverty of a concept; 5. Paul Crossley (Courtauld Institute). Gombrich and the Middle Ages; 6. Paul Taylor (Warburg Institute) Gombrich and the idea of primitive art; 7. Robert Bagley (Princeton University). Gombrich among the Egyptians; 8. Elizabeth McGrath (Warburg Institute). Gombrich as iconographer; 9. Veronika Kopecky (Warburg Institute). Gombrich’s working method; 10. Roberto Casati (Centre National de la Recherche Scientifique). The shadow toolbox; 11. Jan Koenderink (Utrecht University). Gombrich’s “beholder’s share” and the geometry of pictorial space; 12. John Kulvicki (Dartmouth College). ‘Varieties of beholders’ shares; 13. Christopher Tyler (Smith Kettlewell Eye Institute). Gombrich’s “Vault of Perception”: do we “really” see straight lines as curved? 14. Martin Kemp (Oxford University). Gombrich and Leonardo: a natural affinity.
Kesner L. Gombrich and the problem of the Relativity of Vision // Human Affairs. 2009. Vol. 19. P. 266–273.
Wood C. S. E.H. Gombrich’s ‘Art and Illusion: A Study in the Psychology of Pictorial Representation’, 1960 // The Burlington Magazine. 2009. December. P. 836–839.
Kopecky V. Letters to and from Ernst Gombrich regarding Art and Illusion, including some comments on his notion of “schema and correction” // Journal of Art Historiography. 2010. No. 3. December.
Mitrovic B. A Defence of Light. Ernst Gombrich, the Innocent Eye and Seeing in Perspective // Journal of Art Historiography. 2010. Vol. 3. P. 1–30.
Woodfield R. Ernst Gombrich: Iconology and the ‘linguistics of the image’ // Journal of Art Historiography. 2011. No. 5. December. P. 1–25.
Dedman R. The importance of being Ernst: a reassessment of E.H. Gombrich’s relationship with psychoanalysis // Journal of Art Historiography. 2012. No. 7. December.
Mitrovic B. Visuality After Gombrich: the Innocence of the Eye and Modern Research in the Philosophy and Psychology of Perception // Zeitschrift für Kunstgeschichte. 2013. Bd. 76. S. 71–90.
Mitrovic B. Nelson Goodman’s Arguments against Perspective: a Geometrical Analysis // Nexus Network Journal. 2013. Vol. 15.
Taylor P., Hope C., Burke P., Mount H. Meditations on a Heritage: Papers on the Work and Legacy of Sir Ernst Gombrich. Paul Holberton Publishing, 2014.