Идол, защищайся! Культ образов и иконоборческое насилие в Средние века — страница 66 из 72

Un monastère et son patron // Cahiers de recherches médiévales. 2001. № 8. P. 43–55.

De Bèze 1883, 1884, 1889 — Théodore de Bèze. Histoire ecclésiastique des églises réformées au Royaume de France / Ed. nouv. par G. Baum et Ed. Cunitz. Vol. 1. P., 1883; Vol. 2. P., 1884; Vol. 3. Paris, 1889.

De Certain 1858 — De Certain E. (éd.). Les miracles de saint Benoît. Paris, 1858.

De Lancre 1613 — Lancre P., de. Tableau de l’inconstance des mauvais anges et démons. Paris, 1613.

De Smet 2006 — De Smet M. Heavenly Quiet and the Din of War: Use and Abuse of Religious Buildings for Purposes of Safety, Defence and Strategy // Trio P., De Smet M. (eds.). The Use and Abuse of Sacred Places in Late Medieval Towns. Leuven: Leuven University Press, 2006. P. 1–26.

Dekoninck 2011 — Dekoninck R. Vidit et doluit, et trucidavit, et occidit. Violence de l’idole et image de la violence // Littératures classiques. 2010. Vol. 73. P. 41–54.

Dekoninck 2011 — Dekoninck R. L’art mis à nu par ses théologiens, même. Image de la nudité, nudité de l’image dans la littérature ecclésiastique post-tridentine // Halleux E., Lora M. (éd.). Nudité sacrée. Le nu dans l’art religieux de la Renaissance entre érotisme, dévotion et censure. Paris: Sorbonne, 2011. P. 199–211.

Dekoninck 2018 — Dekoninck R. Cosmoclasme. Les images de la destruction du système des objets du culte aux XVIe et XVIIe siècles // Perspective. 2018. № 2. P. 189–208.

Del Col 1996 — Del Col A. (ed.). Domenico Scandella Known as Menocchio. His Trials Before the Inquisition (1583–1599) / translated by John and Anne C. Tedeschi. New York: Medieval & Renaissance Texts & Studies, 1996.

Diemling 2010 — Diemling M. Navigating Christian Space: Jews and Christian Images in Early Modern German Lands // Jewish Culture and History. 2010. Vol. 12. № 3. P. 397–410.

Dierkens, Bartholeyns, Golsenne 2009 — Dierkens A., Bartholeyns G., Golsenne Th. (éds.). La performance des images. Bruxelles: Éditions de l’université de Bruxelles, 2009.

Delfin 1989 — Delfin R. R. The Devil and His Disciples in the Lives of Six Saints // The French Review. 1989. Vol. 62. № 4. P. 591–603.

Doniol 1864 — Doniol H. (éd.). Cartulaire de Sauxillanges. Clermont-Ferrand, 1864.

Duffy 1992 — Duffy E. The Stripping of the Altars. Traditional Religion in England, 1400–1580. New Haven; London: Yale University Press, 1992.

Dumonet 1760 — Dumonet Cl. Histoire des revolutions de Macon, sur le fait de la religion. Avignon, 1760.

Dupeux, Jezler, Wirth 2001 — Dupeux C., Jezler P., Wirth J. (eds.). Iconoclasme: vie et mort de l’image médiévale: catalogue de l’exposition, Musée d’histoire de Berne, Musée de l’Œuvre Notre-Dame, Musées de Strasbourg. Paris: Somogy, 2001.

Durand 1614 — Durand G. Rationale divinorum officiorum. T. 1. Antwerp, 1614.

Easton 1994 — Easton M. Saint Agatha and the Sanctification of Sexual Violence // Studies in Iconography. 1994. Vol. 16. P. 83–118.

Eck 1985 — Eck D. L. Darśan: Seeing the Divine Image in India. Delhi: Motilal Banarsidass Publishers, 1985.

Edgerton 1985 — Edgerton S. Pictures and Punishment. Art and Criminal Prosecution during the Florentine Renaissance. New York: Cornell University Press, 1985.

Edwards 1988 — Edwards J. Religious Faith and Doubt in Late Medieval Spain: Soria circa 1450–1500 // Past and Present. 1988. № 120. P. 3–25.

Edwards 2007 — Edwards R. R. Walter Map: Authorship and the Space of Writing // New Literary History. 2007. Vol. 38. № 2. P. 287–288.

Eire 1989 — Eire C. N. War Against the Idols: The Reformation of Worship from Erasmus to Calvin. New York; Cambridge: Cambridge University Press, 1989.

Elsner 2016 — Elsner J. Breaking and Talking. Some Thoughts on Iconoclasm from Antiquity to the Current Moment // Religion and Society. 2016. № 7. P. 128–138.

Emler, Gebauer, Goll 1893 — Emler J., Gebauer J., Goll J. Fontes rerum bohemicarum: Prameny dějin českých. Т. 5. Praha, 1893.

Eymeric, Peña 2001 — Eymeric N., Peña F. Le manuel des inquisiteurs / Introduction et traduction de Louis Sala-Molins. Paris; La Haye: Mouton Éditeur, 2001.

Febvre 2003 — Febvre L. Le problème de l’incroyance au XVIe siècle. La religion de Rabelais / postf. de Denis Crouzet. Paris: Albin Michel, 2003.

Fine 2019 — Fine S. The Image in Jewish Art // Gruber Chr. (ed.). The Image Debate. Figural Representation in Islam and Across the World. London: Gingko, 2019. P. 105–123.

Fjalldal 2005 — Fjalldal М. Anglo-Saxon England in Icelandic Medieval Texts. Toronto: University of Toronto Press, 2005.

Flood 2002 — Flood B. F. Between Cult and Culture: Bamiyan, Islamic Iconoclasm, and the Museum // The Art Bulletin. 2002. Vol. 84. № 4. P. 641–659.

Flood 2007 — Flood B. F. Iconoclasm // Encyclopedia of Islam. 3rd ed. Leiden: Brill, 2007. P. 34–40.

Flood 2013 — Flood F. B. Lost Histories of a Licit Figural Art // International Journal of Middle East Studies. 2013. Vol. 45. № 3. P. 566–569.

Flood 2016 — Flood F. B. Debate: Religion and Iconoclasm. Idol-Breaking as Image-Making in the «Islamic State» // Religion and Society: Advances in Research. 2016. № 7. P. 116–138.

Florio 2014 — Florio G. Du fascicule processuel à la création d’un culte Le cas de la Madone des Miracles de Lonigo // Faggion L., Regina Chr. Récit et justice. France, Italie, Espagne, XIVe — XIXe siècles. Aix-en-Provence, 2014. P. 177–188.

Foscati 2010 — Foscati A. Il ’Mal degli ardenti’. Per una storia culturale delle malatie nel medioevo // Piras A., Delaini P. (eds.). Conoscenze mediche sul corpo come tramite di cultura tra oriente e occidente. Atti della giornata di studi Palazzo dell’Archiginnasio, Societas Medica Chirurgica Bononiensis (Bologna, 20 aprile 2009). Milano, 2010. P. 49–81.

Franco Llopis 2011 — Franco Llopis B. En defensa de una identidad perdida. Los processos de destrucción de imágenes en Valencia durante la Edad Moderna // Goya. 2011. № 335. P. 116–125.

Franco Llopis 2011–2013 — Franco Llopis B. Consideraciones sobre el uso y abuso de la imagen en la península Ibérica en el siglo XVI a través de los procesos inquisitoriales. Una visíon multicultural del arte: moriscos, protestantes y christianos viejos // Sharq al-Andalus. 2011–2013. Vol. 20. P. 129–152.

FRB 1893 — Emler J., Gebauer J., Goll J. (eds.). Fontes rerum bohemicarum: Prameny dějin českých. T. 5. Praha, 1893.

Freedberg 1971 — Freedberg D. Johannes Molanus on Provocative Paintings. De Historia Sanctarum imaginum et Picturarum. Book II. Chapter 42 // Journal of the Warburg and Courtauld Institutes. 1971. Vol. 34. P. 229–245.

Freedberg 1977 — Freedberg D. The Structure of Byzantine and European Iconoclasm // Bryer A., Herrin J. (eds.). Iconoclasm. Papers given at the Ninth Symposium of Byzantine Studies. Birmingham, 1977.

Freedberg 1982 — Freedberg D. The Hidden God: Image and Interdiction in the Netherlands in the Sixteenth Century // Art History. 1982. № 5. P. 133–153.

Freedberg 1986 —Freedberg D. Art and Iconoclasm, 1525–1580. The case of the Northern Netherlands // Filedt Kok J. P., Halsema-Kubes W., Kloek W. Th. (eds.). Kunst voor de Beeldenstorm. Noordnederlandse Kunst 1525–1580. Amsterdam, 1986.

Freedberg 1989 — Freedberg D. The Power of Images. Studies in the History and Theory of Response. London; Chicago: University of Chicago Press, 1989.

Freedberg 2016 — Freedberg D. The Fear of Art: How Censorship Becomes Iconoclasm // Social Research. 2016. Vol. 83. № 1. P. 67–99.

Freitag 2005 — Freitag B. Sheela-na-gigs. Unravelling an Enigma. London; New York: Routledge, 2005.

Fricke 2006 — Fricke B. Fallen Idols and Risen Saints: Western Attitudes towards the Worship of Images and the ’Cultura Veterum Deorum’ // McClanan A. L., Johnson J. (eds.). Negating the Image: Case Studies in Iconoclasm. London; New York: Ashgate, 2006. P. 67–95.

Fricke 2014 — Fricke B. Fallen Idols, Risen Saints. Sainte Foy of Conques and the Revival of Monumental Sculpture in Medieval Art. Turnhout: Brepols, 2014.

Friedberg 1879 — Friedberg E. (ed.). Decretum Magistri Gratiani (Corpus Iuris Canonici, 1). Leipzig, 1879.

Friedberg 1959 — Friedberg A. (ed.). Corpus iuris canonici: Editio Lipsiensis Secunda. Pars prior Decretum magistri Gratiani. Graz: Akademische Druck- und Verlagsanstalt, 1959.

Friedman 1988 — Friedman J. B. Bald Jonah and the Exegesis of 4 Kings 2.23 // Traditio. 1988. Vol. 44. P. 125–144.

Fugelso 2003 — Fugelso K. Early Modern Responses to Dante’s Authority: Iconoclasm in Illuminated Manuscripts of the Divine Comedy // Manuscripta. 2003. Vol. 45–46. P. 25–48.

Gallop 1961 — Gallop R. Portugal. A Book of Folk-Ways. Cambridge: Cambridge University Press, 1961.

Gamboni 1997 — Gamboni D. The Destruction of Art: Iconoclasm and Vandalism Since the French Revolution. London: Reaktion Books, 1997.

Gamboni 2002a — Gamboni D. Image to Destroy, Indestructible Image // Latour B., Weibel P. (eds.). Iconoclash: Beyond the Image Wars in Science, Religion, and Art. Cambridge; London: MIT Press, 2002. P. 88–135.

Gamboni 2002b — Gamboni D. Portrait of the Artist as a Landscape: An Inquiry into Self-Reflexion. Inaugural Lecture. Amsterdam: Vossiuspers UvA, 2002.

Ganz 2017 — Ganz D. Touching Books, Touching Art: Tactile Dimensions of Sacred Books in the Medieval West // Postscripts: The Journal of Sacred Texts, Cultural Histories, and Contemporary Contexts. 2017. Vol. 8. № 1–2. P. 81–113.

Gaztambide 1971 —