История моды. С 1850-х годов до наших дней — страница 132 из 134

–. Paris Fashion: A Cultural History. New York: Oxford University Press, New York, 1988.

–. Women of Fashion: twentieth-century designers. New York: Rizzoli, 1991.

Steele, Valerie and Jennifer Park. Gothic: dark glamour. New Haven: Yale University Press in association with the Fashion Institute of Technology, 2008.

Steele, Valerie and John S. Major. China Chic: East Meets West. New Haven: Yale University Press, 1999.

Steele, Valerie with Patricia Mears and Clare Sauro. Ralph Rucci: the art of weightlessness. New Haven: Yale University Press in association with the Fashion Institute of Technology, 2007.

Strizhenova, Tatiana. Soviet Costume and Textiles 1917–1945. Paris: Flammarion, 1991.

Sullivan, James. Jeans: A Cultural History of an American Icon. New York: Gotham, 2006.

Tam, Vivienne. China Chic. New York: Regan Books, 2000.

Trahey, Jane (ed.). Harper’s Bazaar: 100 Years of the American Female. New York: Random House, 1967.

Thieme, Otto Charles (ed.). With Grace & Favour: Victorian and Edwardian Fashion in America. Cincinnati: Cincinnati Art Museum, 1993.

Thomas, Steven and Alwyn W. Turner. Big Biba. Woodbridge, U. K., Easthampton, MA: Antique Collectors’ Club, 2006.

Three Women: Madeleine Vionnet, Claire McCardell, and Rei Kawakubo (exhibition brochure). New York: Fashion Institute of Technology, 1987.

Troy, Nancy J. Couture Culture: A Study in Modern Art and Fashion. Cambridge, MA: MIT Press, 2003.

Turner, Alwyn W. Biba: the Biba experience. Woodbridge, U. K., Easthampton, MA: Antique Collectors’ Club, 2004.

V & A Fashion. London: Victoria and Albert Museum. http://www.vam.ac.uk/page/f/fashion/

Vassiliev, Alexandre. Beauty in Exile: The Artists, Models and Nobility who Fled the Russian Revolution and Influenced the World of Fashion. New York: Harry N. Abrams, 2000.

Violette, Robert (ed.). Hussein Chalayan. New York: Rizzoli, 2011.

Von Eckardt, Wolf and Sander L. Gilman. Bertolt Brecht’s Berlin: A Scrapbook of the Twenties. Garden City, NY: Anchor Press, 1975.

Vreeland, Diana. American Women of Style. New York: Metropolitan Museum of Art, 1975.

Vreeland, Diana et al. Yves Saint Laurent. New York: The Metropolitan Museum of Art, 1983.

Wackerl, Luise. Royal Style: A History of Aristocratic Fashion Icons. New York: Prestel Publishing, 2012.

Waissenberger, Robert (ed.). Vienna, 1890–1920. New York: Rizzoli, 1984.

Watt, Judith. Ossie Clark, 1965–74. London: V&A Publications, 2003.

Welters, Linda and Patricia A. Cunningham (eds.). Twentieth-century American Fashion. Oxford, UK and New York: Berg, 2005.

Wichmann, Siegfried. Japonisme: The Japanese Influence on Western Art Since 1858. London and New York: Thames & Hudson, 1999.

Wilcox, Claire (ed.). The Golden Age of Haute Couture: Paris and London 1947–1957. London: V & A Publications, 2007.

–. Radical Fashion. London: V & A Publications, 2001.

–. Vivienne Westwood. London: V&A, 2004.

Wilcox, Claire and Valerie Mendes and Chiara Buss. The art and craft of Gianni Versace. London: V&A Publications, 2002.

Wollen, Peter and Fiona Bradley. Addressing the century: 100 years of art & fashion. (exhibition catalogue) London: Hayward Gallery, 1998.

Woodham, Jonathan M. Twentieth Century Design. Oxford: Oxford University Press, 1997.

Worth, Gaston. La Couture et la Confection des vкtements de femme. Paris: Chaix, 1895.

Worth, Jean-Philippe. A Century of Fashion. Translated by Ruth Scott Miller. Boston: Little, Brown and Co., 1928.

Yohannan, Kohle. Valentina: American Couture and the Cult of Celebrity. New York: Rizzoli, 2009.

Yohannan, Kohle and Nancy Nolf. Claire McCardell: Redefining Modernism. New York: Harry N. Abrams, 1998.1850–1890

1850–1890-е годы

Apraxine, Pierre et al. La Divine Comtesse: Photographs of the Countess de Castiglione. Metropolitan Museum of Art/Yale University Press, New York and New Haven, 2000.

Arnold, Janet. «Dashing Amazons: The Development of Women’s Riding Dress», in Amy de la Haye and Elizabeth Wilson (eds.) Defining Dress: Dress as Object, Meaning, and Identity Manchester: University of Manchester Press, 1999.

Beatty, Laura. Lillie Langtry: Manners, Masks and Morals, London: Chatto & Windus, 1999.

Cherry, Robin. Catalogue: An Illustrated History of Mail-Order Shopping. New York: Princeton Architectural Press, 2008.

Cone, Polly (ed.). The Imperial Style: Fashion in the Age of the Hapsburgs, Metropolitan Museum of Art, New York, 1980.

Cooper, Grace Rogers. The Sewing Machine: its invention and development. Washington, D. C.: Smithsonian Institution, 1976.

Cunningham, Patricia A. Reforming Women’s Fashion, 1850–1920. Kent: The Kent State University Press, 2003.

Cunnington, C. Willett. English Women’s Clothing in the Nineteenth Century. London: Faber and Faber, 1937.

Cunnington, Phillis Emily. English Costume for Sports and Outdoor Recreation. New York: Barnes and Noble, 1970.

David, Alison Matthews and Elizabeth Semmelhack. Fashion Victims: The Pleasures and Perils of Dress in the 19th Century (exhibition catalogue). Toronto: Bata Shoe Museum, 2014.

Woolson, Abba Goold (ed.) Dress-Reform: A Series of Lectures Delivered in Boston, on Dress as it Affects the Health of Women. Boston: Roberts Brothers, 1874.

Ferry, John William. A History of the Department Store. New York: Macmillan, 1960.

Goldthorpe, Caroline. From Queen to Empress: Victorian Dress 1837–1877. New York: The Metropolitan Museum of Art, 1989.

Harvey, John. Men in Black. Chicago: University of Chicago Press, 1995.

Hollander, Anne. «When Mr. Worth was King», Connoisseur, December 1982, 114–120.

Hume, Sara Elisabeth. Charles Frederick Worth: A Study in the Relationship between the Parisian Fashion Industry and the Lyonnais Silk Industry 1858–1889 (MA Thesis), SUNY Fashion Institute of Technology, New York, 2003.

Johnston, Lucy. Nineteenth Century Fashion in Detail, London: V&A Publications, 2005.

Lambert, Miles. Fashion in Photographs 1860–1880. London: B. T. Batsford, 1991.

Lebrecht, Norman. Who Killed Classical Music? New York: Birch Lane Press, 1997.

Levitt, Sarah. Fashion in Photographs 1880–1900. London: B. T. Batsford, 1991.

von Metternich-Winnenberg, Pauline. My Years in Paris. London: E. Nash & Grayson, Ltd., 1922.

Ribeiro, Aileen. «Fashion in the Work of Winterhalter», in Franz Xaver Winterhalter and the Courts of Europe (ed. Richard Ormond and Carol Blackett-Ord). London; New York: National Portrait Gallery; Harry Abrams, 1992.

–. Ingres in Fashion: Representations of Dress and Appearance in Ingres’ Images of Women. New Haven: Yale University Press, 1999.

Robar, Stephen F. Frances Clara Folsom Cleveland. New York: Nova History Publications, 2004.

Severa, Joan L. Dressed for the Photographer: Ordinary Americans & Fashion, 1840–1900. Kent: Kent State University, 1995.

Taylor, Lou. «Wool cloth and gender: the use of woolen cloth in women’s dress in Britain, 1865–85» in Amy de la Haye and Elizabeth Wilson (eds.), Defining Dress: Dress as object, meaning and identity. Manchester: Manchester University Dress, 1999.

Waugh, Norah. Corsets and Crinolines. London: Routledge, 1954.

1890-е годы

Font, Lourdes. «International couture: The opportunities and challenges of expansion, 1880–1920.» Business History, 54:1, 2012, 30–47.

Jowett, George F. «Eugene Sandow», Strength, March 1927.

Bernhardt, Sarah. My Double Life: The Memoirs of Sarah Bernhardt, London: Heinemann, 1907.

Blainey, Ann. Marvelous Melba: The Extraordinary Life of a Great Diva. Chicago: Ivan R. Dee, 2009

Ockman, Carol and Kenneth E. Silver. Sarah Bernhardt: The Art of High Drama. New York: Jewish Museum, 2005.

Parry, Albert. Tattoo: Secrets of a Strange Art. New York: Simon and Schuster, 1933.

Vincent, W. D. F. The Cutters’ Practical Guide to Cutting Every Kind of Garment Made by Tailors with copious hints on their production. London: The John Williamson Company, 1889.

1900-е годы

Lees, Frederick. «The Evolution of Paris Fashions: An Enquiry», Pall Mall Magazine, 1903, 113–122.

Mendes, Valerie and Amy de la Haye. Lucile Ltd: London, Paris, New York and Chicago 1890s –1930s. London: V& A Publications, 2009.

Ewing, Elizabeth. Fur in Dress. London: Harper Collins, 1981.

Exposition universelle internationale de 1900 — Les toilettes de la Collectivité de la couture. Paris: Société de publications d’art, 1900.

Fletcher, Ella Adelia. The Woman Beautiful: A Practical Treatise on the Development and Preservation of Woman’s Health and Beatuty, and the Principles of Taste in Dress. New York: Brentano’s, 1901.

1910-е годы

Bass-Krueger, Maude. «From the ‘union parfaite’ to the ‘union brisée’: The French Couture Industry and the midinettes during the Great War.» Costume, 47:1, 2013.

Burbank, Emily. Woman as Decoration. New York: Dodd, Mead and Company, 1917.

Golden, Eve. Vamp: The Rise and Fall of Theda Bara. New York: Vestal Press, 1998.

Howarth, Stephen. Henry Poole: Founders of Savile Row. London: Bene Factum Publishing, 2003.

Martin, Richard. Fundamental Icon: J. C. Leyendecker’s Male Underwear Imagery, Textile & Text, 15:1, 1992.

Palais Galliera. Europe: 1910–1939, Quand l’art habillait le vêtement. Paris: Paris-Musées, 1997.

1920-е годы

Battersby, Martin. The Decorative Twenties, London: Herbert Press, 1988.

Churchill, Allen. The Theatrical Twenties. New York: McGraw Hill, 1975.

Ginsburg, Madeleine. Paris Fashion: The Art Deco Style of the 1920s. New York: Gallery Books, 1989.

Lipmann, Anthony. Divinely Elegant: The World of Ernst Dryden, London: Pavilion Books in association with Michael Joseph, 1989.