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Благодарим за предоставленные иллюстрации
Deutches Historisches Museum, Berlin, 0.1, 3.1; Folger Shakespeare Library, Washington, 3.2, 3.3, 4.2, 7.5, 7.6, 10.5, 11.4, 12.2, 13.3, 16.2, 17.1; Library Company of Philadelphia, Philadelphia, 16.3; Museum Plantin Moretus, Antwerp, 8.2, 9.3; National Gallery of Art, Washington, 2.1, 2.2; Princeton University Library, Folke Dahl collection, Princeton, 0.2, 6.3, 8.1, 9.1, 9.2, 9.4, 9.5, 9.6, 10.3, 11.2, 11.3, 12.4, 18.1; Staatsbibliothek, Berlin, 4.1; Trustees of the British Museum, London, 1.1, 1.2, 5.1, 5.2, 6.1, 6.2, 7.1, 7.2, 7.4, 8.3, 10.1, 10.2, 10.4, 11.1, 12.3, 13.2, 14.1, 14.2, 14.3, 15.1, 16.1, 18.2; Wikipedia Commons, 5.3, 13.1, 13.4, 15.2, 17.2; Zentralbibliothek, Zurich, 1.3, 4.3, 4.4, 7.3, 12.1.
Благодарность
Написание этой книги было для меня исключительным удовольствием. Я приступил к этому проекту, имея определенные познания в истории книги и особенный интерес к дешевой печати. Все это возбудило мой интерес к важности новостей, но я осознавал, что для такого проекта мне понадобится расширить свои познания, изучить манускрипты, устные предания, песни и пьесы. Потребовавшиеся исследования дали мне возможность выйти за границы современности, погрузившись в Средневековье. В процессе я обнаружил удивительный мир рукописных новостей, деревянных табличек Виндоланды и Граб Стрит. Все это было бы невозможно без доступа к огромному количеству трудов, уже оставленных выдающимися учеными в этих областях. Одна из величайших заслуг нашей университетской системы заключается в том, что профессора располагают временем для участия в исследованиях, которые, в свою очередь, обогащают их знания. Во время работы над проектом я имел удовольствие познакомиться с трудами многих ученых, писавших об истории коммуникаций. В числе ныне здравствующих практиков, которым я особенно благодарен: Пол Арбластер, Вольф-ганг Берингер, Эллисон Крисман, Джайлс Фейел, Марио Инфелис, Ричард Джон, Марк Найтс, Джеффри Паркер, Джейсон Писи, Джоуд Реймонд, Роза Зальцберг и мног