Медиум для масс – сознание через глаз. Фотомонтаж и оптический поворот в раннесоветской России — страница 39 из 40

18-я годовщина пролетарской печати // Наши достижения. 1930. № 5.

400 000 аппаратов по фотообязательствам // Фотокор. Приложение к журналу «Пролетарское фото». 1931. 20 сент. № 1.


Ades D. Photomontage. London: Thames and Hudson, 1986.

Akinsha K. Painting versus Photography: A Battle of Mediums in Twentieth-Century Russian Culture // Beyond Memory: Soviet Nonconformist Photography and Photo-Related Works of Art / D. Neumaier (Ed.) New Brunswick, N. J.: Rutgers University Press, 2004. P. 33.

Aleksandr Zhitomirsky: Photomontage as a Weapon of World War II and the Cold War / E. Wolf (Ed.). Chicago: Art Institute of Chicago, 2016

Allen S. Practice: Architecture Technique + Representation. London: Routledge, 2009.

Art into Life: Russian Constructivism 1914–1932. Seattle: Henry Art Gallery, University of Washington; New York: Rizzoli, 1990.

Avant-garde and Propaganda: Soviet Books and Magazines in the Archive Lafuente, 1913–1941. Madrid: La Bahia (Archive Lafuente); La Fabrica, 2019

Avant-garde Art in Everyday Life: Early-Twentieth Century Modernism / M. Witkowsky (Ed.). Chicago: Art Institute of Chicago, 2011.

Azoulay, A. Civil Imagination: A Political Ontology of Photography. London: Verso, 2012.

Balina, M. Creativity through Restraint: The Beginnings of Soviet Children’s Literature. // Russian Children’s Literature / M. Balina and L. Rudova (Eds.) New York: Routledge, 2008.

Bernays E. Propaganda [1928]. New York: IG, 2005.

Bois Y-A. El Lissitzky: Reading Lesson // October. 1979. № 11.

Bonnell V. Iconography of Power: Soviet Political Posters under Lenin and Stalin. Berkeley: University of California Press, 1997.

Bowlt J. Soviet Textile Design of the Revolutionary Period. London: Viking Press, 1983.

Brooks J. The Breakdown in Production and Distribution of Printed Material, 1917–1927 // Bolshevik Culture: Experiment and Order in the Russian Revolution. / A. Gleason, P. Kenez, R. Stites (Eds.). Bloomington: Indiana University Press, 1985.

Bryson N. The Gaze in the Expanded Field // Vision and Visibility / H. Forster (Ed.). Seattle: Bay Press, 1988.

Buchloh B. From Faktura to Factography // October. 1984. № 30. Compton S. Russian Avant-garde Books, 1917–1934. Cambridge: The MIT

Press, 1992.

Crary J. Techniques of the Observer: On Vision and Modernity in the Nineteenth Century. Cambridge, Mass.: MIT Press, 1992. Danisch H. The Origin of Perspective / trans. J. Goodman. Cambridge: MIT Press, 1994.

Defining Russian Graphic Art 1898–1934: From Diaghilev to Stalin / A. Rosenfeld (Ed.). New Brunswick: Rutgers University Press, 1999. Demos T. J. The Migrant Image: The Art and Politics of Documentary During Global Crisis. Durham: Duke University Press, 2013. Drayluk B. Western Crime Fiction Goes East: The Russian Pinkerton Craze 1907–1934. Boston: Brill, 2012.

Edwards E. The Camera as Historian: Amateur Photographers and Historical Imagination, 1885–1918. Durham: Duke University Press, 2012.

Feeling Photography / E. H. Brown and T. Phy (Eds.). Durham: Duke University Press, 2014.

Fore D. The Operative Word in Soviet Factography // October. 2016. № 118.

Gibson M., Nabizadeh G., Sambell K. Watch this Space: Childhood, Picturebooks and Comics. // Journal of Graphic Novels and Comics. 2014. Vol. 5 (3).

Gough M. From Machine to Easel // Gustavs Klucis: Complete Catalogue of Works in the Latvian National Museum of Art /1. Derkusova (Ed.). Riga: Latvijas Nacionalais makslas muzejs, 2014. Vol. 1.

Grimshaw A The Ethnographer’s Eye: Ways of Seeing in Modern Anthropology. Cambridge: Cambridge University Press, 2001

Gustavs Klucis: Complete Catalogue of Works in the Latvian National Museum of Art / I. Derkusova (Ed.). Riga: Latvijas Nacionalais makslas muzejs, 2014. Vol. 1. P. 71.

Hellbeck J. Revolution on My Mind: Writing a Diary under Stalin. Cambridge: Harvard University Press, 2006.

Hellebust R. Flesh to Metal: Soviet Literature and the Alchemy of Revolution. Ithaca: Cornell University Press, 2003.

Inside the Rainbow: Gorgeous Vintage Russian Children’s Book Illustrations from the 1920s – 1930s / J. Rothenstein, O. Budashevskaya (Eds.). London: Redstone Press, 2013.

The Itinerant Languages of Photography / E. Cadava and G. Nouzeiolles (Eds.). New Haven: Yale University Press, 2013.

Janecek G. The Look of Russian Literature: Avant-Garde Visual Experiments, 1900–1930. Princeton: Princeton University Press, 1984.

Jay M. Downcast Eyes: The Denigration of Vision in Twentieth-Century French Thought. Berkeley: Universiity of California Press, 1993

Kachurin P. Making Modernism Soviet: The Russian Avant-Garde in the early Soviet Era, 1918–1928. Evanston: Northwestern University Press, 2013.

Kiaer C. Imagine No Possessions: The Socialist Object and Russian Constructivism. Cambridge: The MIT Press, 2005.

King D. Red Star over Russia: A Visual History of the Soviet Union from the Revolution to the Death of Stalin. New York: Harry N. Abrams, 2009.

King D. Russian Revolutionary Posters: From Civil War to Socialist Realism, From Bolshevism to the End of Stalinism. London: Tate Publishing, 2015.

Kudryavtseva T. Circling the Square: Avant-Garde Porcelain from Revolutionary Russia. St. Petersburg: Fontanka, 2004.

Kunichika M. The Camel and Caboose: Viktor Shkovsky’s Turk-sib and the Pedagogy of Uneven Development // The Pedagogy of Images: Depicting Communism for Children / M. Balina, S. Oushakine (Eds.). Toronto: University of Toronto Press, 2020. Leiderman D., Sokolovskaia M. «Poor, Poor Il’ich»: Visualizing Lenin’s Death for Children // The Pedagogy of Images: Depicting Communism for Children / M. Balina, S. Oushakine (Eds.). Toronto: University of Toronto Press, 2020.

Lenoe M. Closer to the Masses: Stalinist Culture, Social Revolution, and Soviet Newspapers. Cambridge: Harvard University Press, 2004.

Ladder C. Gustav Klucis and Constructivism // Gustavs Klucis: Complete Catalogue of Works in the Latvian National Museum of Art / I. Derkusova (Ed.). Riga: Latvijas Nacionalais makslas muzejs, 2014. Vol. 1.

Merleau-Ponty M. An Unpublished Text by Maurice Merleau-Ponty: A Prospectus of His Work // M. Merleau-Ponty. The Primacy of Perception and Other Essays on Phenomenological Psychology, the Philosophy of Art, History and Politics. Evanston: Northwestern University Press, 1964.

Nikolajeva M., Scott C. How Picturebooks Work. London: Garland, 2001.

Nikolajeva M. Picturebooks and Emotional Literacy // The Reading Teacher. 2013. № 67 (4).

Oushakine S. Translating Communism for Children: Fables and Posters of the Revolution // boundary. 2016. August. Vol. 43 (3). Oushakine S., Balina M. Primers of Soviet Modernity: Depicting Communism for Children in Early Soviet Russia // The Pedagogy of Images: Depicting Communism for Children / M. Balina, S. Oushakine (Eds.). Toronto: University of Toronto Press, 2020. The Oxford Handbook of Communist Visual Cultures / A. Skrodzka, X. Lu, K. Marciniak (Eds.). Oxford: Oxford University Press, 2020.

Palme R. Combining the Rhythms of Comics and Picturebooks: Thoughts and Experiments // Journal of Graphic Novels and Comics. 2014. Vol. 5 (3).

Pankenier Weld, S. Voiceless Vanguard: The Infantilist Aesthetic of the Russian Avant-Garde. Evanston, Northwestern University Press, 2014.

Parikka J. What is Media Archaeology? Cambridge: Polity Press, 2012.

The Pedagogy of Images: Depicting Communism for Children / M. Balina, S. Oushakine (Eds.). Toronto: University of Toronto Press, 2020.

Perchik L. The Reconstruction of Moscow. Moscow: Co-operative publishing society of foreign workers in the U.S.S.R., 1936. Photography in the Modern Era: European Documents and Critical Writings, 1913–1940 / C. Phillips (Ed.). New York: The Metropolitan Museum of Modern Art: Aperture. 1989. P. 211.

Poole D. Vision, Race, and Modernity: A Visual Economy of the Andean Image World. Princeton: Princeton University Press, 1997 Rakitin V. Gustav Klucis: Between the Non-Objective World and World Revolution. // The Avant-Garde in Russia. 1910–1930: New Perspectives / S. Barron and M. Tuchman (Eds.). Los Angeles: Los Angeles County Museum of Art, 1980.

Reischl K. Photographic Literacy: Cameras in the Hands of Russian Authors. Ithaca: Cornell University Press, 2018.

Romanenko K. Photomontage for the Masses: The Soviet Periodical Press of the 1930s // Design Issues. 2010. Vol. 26 (1).

Rosen M. Workers’ Tales: Socialist Fairy Tales, Fables, and Allegories from Great Britain. Princeton: Princeton University Press, 2018.

Rosenfeld A. Figuration Versus Abstraction in Soviet Illustrated Children’s Books, 1920–1930 // Defining Russian Graphic Art 1898–1934: From Diaghilev to Stalin / A. Rosenfeld (Ed.). New Brunswick: Rutgers University Press, 1999.

Russell R. Red Pinkertonism: An Aspect of Soviet Literature of the 1920s // Slavonic and East European Review. 1982. Vol. 60 (3).

Russian and Soviet Collages. 1920s – 1990s. St. Petersburg: Palace Editions, 2005

Silina M. The Struggle Against Naturalism: Soviet Art from the 1920s to the 1950s // RACAR: revue d’art canadienne / Canadian Art Review. 2016. Vol. 41 (2).

Silina M. «Immortal Ilyich» as an Industry: Practices of Commemorating Vladimir Lenin in the USSR // Lenin Lives. Davidson: Van Emery/Smith Galleries. 2017.

The Soviet Photobook 1920–1941 / M. Karasik, M. Heiting (Eds.). Gottingen: Steidl, 2015;