Freedberg 1989 – Freedberg D. The Power of Images. Studies in the History and Theory of Response. Chicago; London: The University of Chicago Press, 1989.
Gertsman 2016 – Gertsman E. Wandering Wounds: The Urban Body in Imitatio Christi // Tracy L. DeVries K. (eds.). Wounds and Wound Repair in Medieval Culture. Leiden; Boston: Brill, 2016. P. 340–366.
Getz 1991 – Getz F. M. (ed.). Healing and Society in Medieval England: A Middle English Translation of the Farmaceutical Writings of Gilbertus Anglicus. Madison: The University of Wisconsin Press, 1991.
Gibson 2008 – Gibson W. S. Invented in Hell: Bosch's Tree-Man // Chapuis J. (ed.). Invention. Northern Renaissance Studies in Honor of Molly Faries. Turnhout: Brepols, 2008. P. 165–173.
Ginio 1996 – Ginio A. M. The Fortress of Faith – At the End of the West: Alonso de Espina and his Fortalitium Fidei // Limor O., Stroumsa G. G. (eds.). Contra Iudaeos: Ancient and Medieval Polemics Between Christians and Jews. Tübingen: J. C. B. Mohr (Paul Siebeck), 1996. P. 215–238.
Gombrich 1969 – Gombrich E. H. The Evidence of Images. A Study of Modes of Perception in Art Criticism // Singleton Ch. (ed.). Interpretation: Theory and Practice. Baltimore: Johns Hopkins University Press, 1969. P. 35–104.
Gow 1995 – Gow A. C. The Red Jews: Antisemitism in the Apocalyptic Age, 1200–1600. Leiden; New York; Köln: Brill, 1995.
Gross 1993 – Gross A. L'idée de la folie en texte et en image: Sébastien Brand et l'insipiens // Médiévales, 1993, № 25. P. 71–91.
Hamburger 1984 – Hamburger J. F. Bosch's Conjuror: An Attack on Magic and Sacramental Heresy // Simiolus: Netherlands Quarterly for the History of Art, 1984, Vol. 14, № 1. P. 4–23.
Harris 2011 – Harris M. Sacred Folly. A New History of the Feast of Fools. Ithaca; London: Cornell University Press, 2011.
Hartau 2005 – Hartau J. Bosch and the Jews // Anales del Instituto de investigaciones estéticas, 2005, № 86. P. 29–53.
Hayum 1989 – Hayum A. The Isenheim Altarpiece. Godʼs Medicine and the Painterʼs Vision. Princeton, 1989.
Heesch 2019 – Heesch D., van. Paulus de Kempenar and the Political Exploitation of Hieronymus Bosch in the Dutch Revolt // Simiolus. Netherlands Quarterly for the History of Art, 2019, Vol. 41, № 1–2. P. 5–38.
Henke 2015 – Henke R. Poverty and Charity in Early Modern Theater and Performance. Iowa City: University of Iowa Press, 2015.
Hirsch 2010 – Hirsch B. D. From Jew to Puritan: The Emblematic Owl in Early English Culture // Hirsch B. D., Wortham Chr. This Earthly Stage: World and Stage in Late Medieval and Early Modern England. Turnhout: Brepols, 2010. P. 131–172.
Horowitz 2006 – Horowitz E. Reckless Rites. Purim and Legacy of Jewish Violence. Princeton: Oxford University Press, 2006.
Horstmann 1886 – Horstmann C. (ed.). The Three Kings of Cologne. An Early English Translation of the «Historia Trium Regum» of John of Hildesheim. London: N. Trübner and Co, 1886.
Hughes 1986 – Hughes D. O. Distinguishing Signs: Ear-Rings, Jews and Franciscan Rhetoric in the Italian Renaissance City // Past & Present, 1986, № 112. P. 3–59.
Hunt 1996 – Hunt A. Governance of the Consuming Passions. A History of Sumptuary Law. London: Macmillan Press, 1996.
Idel 2011 – Idel M. Saturn's Jews: On the Witches' Sabbat and Sabbateanism. New York: Continuum, 2011.
Ilsink 2016 – Ilsink M. et al. Hieronymus Bosch. Painter and Draughtsman. Catalogue raisonné. T. 1–2. New Haven: Yale University Press, 2016.
Ilsink 2017 – Ilsink M. Review of Joseph Leo Koerner, Bosch and Bruegel. From Enemy Painting to Everyday Life. Princeton / Oxford: Princeton University Press, 2016 // Zeitschrif für Kunstgeschichte, 2017, Bd. 80. P. 439–447.
Ilsink et al. 2018 – Ilsink M. et al. The Patron of Hieronymus Bosch's 'Last Judgment' Triptych in Vienna // The Burlington Magazine, 2018, Vol. 60, № 1379. P. 106–111.
Ilsink, Koldeweij, Spronk 2018 – Ilsink M., Koldeweij J., Spronk R. From Bosch's Stable. Hieronymus Bosch and the Adoration of the Magi. s-Hertogenbosch: Wbooks, 2018.
Jacobs 2000 – Jacobs L. F. The Triptychs of Hieronymus Bosch // Sixteenth Century Journal, 2000, Vol. XXXI, № 4. P. 1009–1041.
Jalabert 1936 – Jalabert D. De l'art oriental antique à l'art roman. Recherches sur la faune et la flore romanes, II: Les sirènes // Bulletin monumental, 1936, Vol. 95, № 4. P. 433–471.
Jaritz 2014 – Jaritz G. Signs of Mental Disorder in Late Medieval Visual Evidence // Katajala-Peltomaa S., Niiranen S. (eds.). Mental (Dis) Order in Later Medieval Europe. Leiden; Boston: Brill, 2014. P. 91–107.
Johnson 1998 – Johnson W. The Myth of Jewish Male Menses // Journal of Medieval History, 1998, Vol. 24. P. 273–295.
Jolly 2002 – Jolly P. H. Marked Difference: Earrings and «The Other» in Fifteenth-Century Flemish Art // Koslin D. K., Snyder J. E. (eds.). Encountering Medieval Textiles and Dress. Objects, Texts, Images. New York: Palgrave Macmillan, 2002. P. 195–207.
Kadoi 2014 – Kadoi Y. Crescent // The Encyclopaedia of Islam, 3rd ed. Leiden; Boston: Brill, 2014. P. 47–48.
Kienzle 2006 – Kienzle B. The Bestiary of Heretics: Imaging Medieval Christian Heresy with Insects and Animals // Waldau P., Patton K. (eds.). A Communion of Subjects: Animals in Religion, Science, and Ethics. New York: Columbia University Press, 2006. P. 103–116.
Klemettilä 2006 – Klemettilä H. Epitomes of Evil: Representations of Executioners in Northern France and the Low Countries in the Late Middle Ages. Turnhout: Brepols, 2006.
Klibansky, Panofsky, Saxl 1964 – Klibansky R., Panofsky E., Saxl F. Saturn and Melancholy. Studies in the History of Natural Philosophy, Religion and Art. London: Thomas Nelson and Sons, 1964.
Koerner 2004 – Koerner J. Impossible Objects: Bosch's Realism // RES: Anthropology and Aesthetics, 2004, № 46. P. 73–97.
Koerner 2016 – Koerner J. L. Bosch and Bruegel. From Enemy Painting to Everyday Life. Princeton; Oxford: Princeton University Press, 2016.
Koldeweij 2016 – Koldeweij J. Jerusalem and Other Holy Places as Represented by Jheronimus Bosch // Verhoeven M. and al. (eds.). Monuments & Memory: Christian Cult Buildings and Constructions of the Past: Essays in Honour of Sible de Blaauw. Turnhout: Brepols, 2016. P. 287–295.
Krebs 2019 – Krebs V. Re-examining Foresti's Supplementum Chronicarum and the «Ethiopian» Embassy to Europe of 1306 // Bulletin of the School of Oriental and African Studies. 2019, Vol. 82, № 3. P. 493–515.
Krinsky 1970 – Krinsky C. H. Representations of the Temple of Jerusalem before 1500 // Journal of the Warburg and Courtauld Institutes, 1970, Vol. 33. P. 1–19.
Koopmans 1997 – Koopmans J. Le Théâtre des exclus au Moyen Âge. Hérétiques, sorcières et marginaux. Paris: Imago, 1997.
Koppel, Keevallik 2012 – Koppel G., Keevallik J. (eds.). Madalmaade kunst Kadrioru kunstimuuseumis. The Art of the Low Countries at the Kadriorg Art Museum. Tallinn: Eesti Kunstimuuseum, 2012.
Laine-Frigren, Eilola, Hokkanen 2019 – Laine-Frigren T., Eilola J., Hokkanen M. (eds.). Encountering Crises of the Mind. Madness, Culture and Society, 1200s – 1900s. Leiden; Boston: Brill, 2019.
Langmuir 1996 – Langmuir G. I. Toward a Definition of Antisemitism. Los Angeles: University of California Press, 1996.
Leclercq-Marx 2019 – Leclercq-Marx J. Du démon ambivalent à l'héroïne compatissante: la sirène entre monde antique et médiéval // Besseyre M., Le Pogam P.-Y., Meunier F. (dir.). L'animal symbole. Paris: Éditions du Comité des travaux historiques et scientifiques, 2019. P. 13–33.
Lerner 1988 – Lerner R. E. Frederick II, Alive, Aloft and Allayed, in Franciscan-Joachite Eschatology // Verbeke V., Verhelst D., Welkenhuysen A. (eds.). The Use and Abuse of Eschatology in the Middle Ages. Leuven: Leuven University Press, 1988. P. 359–384.
Lewis 1986 – Lewis S. Tractatus adversus Judaeos in the Gulbenkian Apocalypse // The Art Bulletin, 1986, Vol. 68, № 4. P. 543–566.
Lewis 1987 – Lewis S. The Art of Matthew Paris in the Chronica Majora. Berkeley; Los Angeles; London: University of California Press, 1987.
Lipton 1999 – Lipton S. Images of Intolerance: The Representation of Jews and Judaism in the Bible moralisée. Berkeley: University of California Press, 1999.
Lipton 2014 – Lipton S. Dark Mirror: The Medieval Origins of Anti-Jewish Iconography. New York: Metropolitan, 2014.
Ludolphus de Saxonia 1878 I, IV–Ludolphus de Saxonia. Vita Jesu Christi et Evangelio et approbatis ab Ecclesia catholica doctoribus sedule collecta. T. 1, 4. Paris; Bruxelles, 1878.
Lutz, Perdrizet 1907 – Lutz J., Perdrizet P. Speculum humanae salvationis. Texte critique. Traduction inédite de Jean Mielot (1448). Les sources et l'influence iconographique principalement sur l'art alsacien du XIVe siècle. T. 1. Mulhouse, 1907.
MacDonald 2002 – MacDonald D. Collecting a New World: The Ethnographic Collections of Margaret of Austria // The Sixteenth Century Journal, 2002, Vol. 33, № 3. P. 649–663.
Maraschi 2017 – Maraschi A. Sympathy for the Lord: The Host and Elements of Sympathetic Magic in Late Medieval Exempla // Journal of Medieval Religious Cultures, 2017, Vol. 43, № 2. P. 209–230.
Marrow 1979 – Marrow J. H. Passion Iconography in Northern European Art of the Late Middle Ages and Early Renaissance. A Study of the Transformation of Sacred Metaphor into Descriptive Narrative. Kortrijk: Van Ghemmert Publishing Company, 1979.