"Mrs. Wooster," the boy said a shade louder, "she thinks it's silly anyway. She says people oughta be buried in the ground, not in the water."
"She isn't island, Matt. She thinks we're strange."
"She eats pits. Peach pits and plum pits and orange pits." He giggled. "That's weirder than burying people in the water."
Colin admitted the boy might be right, though it was easy to understand the housekeeper's attitude. There were no provisions for the dead on Haven's End. The nearest town was ten miles inland and had the only cemetery within easy driving distance. None of the island locals bothered to use it. They had lived here for too long, for too many generations, and those who'd first settled here during the Revolution had chosen the Atlantic to be their graveyard. It was illegal, but even those who'd left for the rumored excitement of the mainland were able to find a certain indefinable comfort in the slow trail of boats that would slip through the twilight, form a tight ring from bow to stern, raise high the torches, and break into a deep-throated jubilant hymn as the enshrouded corpse was eased into the current. There were rumors, of course, among the busybodies who sat in the park in Flocks: that the island's inhabitants were obviously immortal since none of them seemed to take sick and die; that rites of foul cannabalism and satanism were performed during the hours of the darkest full moon; that vampirism flourished; that they were nothing more than a colony of ghouls.
Haven's End didn't care. The balm for its grief was stronger than gossip.
Matt paused to shift the hamper from right hand to left, and hitched mightily at his trunks to keep them high on his hips. Then he looked up into the trees, off to one side, a quick check to be sure Colin was still there.
"Pits. Ugh."
Colin smiled.
"Did… did you know Gran D'Grou?"
"Sure did. He was one of the first people I met when I came here." A short laugh for the memory. "He said I didn't draw so hot but I had good hands."
"Did you like him?"
He frowned and pulled thoughtfully at a vagrant curl tucked around the back of his left ear. Gran was a black pipe cleaner twisted into the vague shape of a man, with an afterthought lump of black clay for a head-eyes gouged, mouth gouged, cheeks thumbed in, and a surprisingly aquiline nose. Only the old man's hands seemed carefully planned, long-fingered and dexterous, more expressive than his eyes. When he spoke, he whispered as if from the back of a sea cave, and when he wasn't working at the family luncheonette, when he wasn't doing his carving on the bench out front and laughing with the children, he was walking the cliffs and the woods with dark rum snug around him.
But had Colin liked him?
Gran, as more than one person had been eager to tell him, had arrived penniless and frightened from the West Indies with his infant daughter, saying little except to let them all know he was determined to take advantage of what he called America's vast pot of gold. He wasted no time establishing the luncheonette. He charmed the ladies with his French-Caribbean accent, and fascinated the men with stories of the islands he had visited as a young man. In time, his daughter found a husband who had no objection to taking Gran's name; in time, there was a granddaughter who worshipped the old man and became his constant shadow.
And in time Gran knew he would never be rich.
Why he had believed money would fall into his hands no one knew; why he refused to visit the mainland was a mystery as well. But he did, and he did, and eventually he turned to drinking, to the children, and to his carving.
In time his younger self was totally forgotten.
It was tought that Warren Harcourt had tried to get Gran to bring back his dead wife, that it was Gran who had murdered a beachcomber eight years ago as a sacrifice to his gods. A lot of things were thought about the shriveled old man, but in the full light of the sun Colin knew most people felt foolish about these ideas.
"Well?" Matt said.
He blinked and scratched at his chest. "I guess so. He was a hard man to know."
"Well, I think he was spooky." Matt sniffed and wiped a hasty sleeve under his nose. "Y'know, just before he got sick like that he used to stand outside the school and watch the kids come out."
Colin frowned. "He did?"
"Sure! I thought sometimes he wanted to take me to his shack on the beach and cook me or something." He shuddered and scratched his head. "Y'know, he told me last summer I was his favorite because I never laughed at him." A pause for confession. "I never laughed at him because I thought he was spooky and would cook me or something. I mean, he was okay and we had a good time, but he got spooky, y'know? Like those statues he made."
Nearly every family on the island had at least one of Gran's carvings, the school a large collection, and Colin a half dozen. They were fashioned from driftwood and fallen boughs, graceful and disturbing renditions of what Gran called his island dreams. From the Caribbean, not Haven's End. But that's all he would ever say. Several times over the years, Colin had attempted to discover if the carvings represented gods or real people, and the old man told him they were only notions, nothing more.
One day he had shown up at the studio behind Colin's cottage, boldly walking in as if on standing invitation, placing something he called The Screaming Woman on the workbench. Colin had been finishing an oil of the fishing fleet as it struggled back to the marina-a difficult piece because the only heroism or romance he wanted was in the faces of the men working the nets. He'd not relished the intrusion, but Gran had never cared; when he was sober he moved about the small island as if it belonged to him, and the people-year-round or seasonal-his loyal, loving subjects. Most called him good-natured because of his time spent with the children, and blithely excused the sometimes haughty attitude he displayed. But Colin and a few others detected behind the crooked, yellow-toothed smile a rippling of disdain whenever he laughed with anyone other than the kids. A suspicion never proved, however, and for that all the more disturbing.
He had examined the offering impatiently (feeling guilty for the impatience), and when he complained that he didn't really much care for wood sculptures of obscure monsters, the old man's hands had almost curved into fists, straightened as he took a deep breath and touched the smooth wood with the tip of one finger.
"See?" Gran had said, eyes squinting, head bobbing. "This not be snake here, it is tail. She is sea woman. Eye cut out? No, no, Colin, it is shadow. You put a light here, the eye come back. You want a big monster, you stick it in the closet; you want a beautiful woman, put it on the television." A laugh like a crackle. "Jesus damn, Colin, you got no imagination."
Colin had apologized, Gran had accepted with a shaking of hands, and left as he always did-without bothering to look at or comment on Colin's latest work.
"Mr. Ross?"
He waited.
"When Gran's gone, do you think Lilla will stop her singing?"
"I don't know," he said. "I would imagine so."
"She didn't used to be that way, y'know. She was really neat. She used to give me extra scoops on my cones and stuff. She called me Little Matt, but that was okay because she was fun. But she really got spooky, y'know? Just like Gran."
Colin felt he should say something in Lilla's defense, but the boy was right. When her grandfather fell ill at summer's end, Lilla had begun a withdrawal so gradual no one had noticed until it was too late to reach her. Her eyes dulled, her tongue fell silent, she moved very much as if she were walking in her sleep. Yet there were occasional days when the old Lilla was back without warning-laughing, smiling, walking down the street with the verve of an eighteen-year-old out to conquer the world.
The old Lilla, as she crept into adolescence, took Peg as a friend, since her own mother was reluctant to talk of things beyond the store. Peg loved her as a daughter, tried to show her what she could, and teach her the difference between listening to an adult and experiencing things herself.
And when she was sixteen she latched onto Colin. He knew it was a crush because Peg laughingly told him so, knew he had to be careful because Lilla wanted to know the man's side of men. She would find him walking on the beach, join him, ask him how to deal with the boys she thought were flirting. When he told her to ask Peg, she only laughed and grabbed his hand, dropped it with a giggle and made him feel like blushing.
Despite the potential problem, however, he was taken by her energy, her wit, by the way she took each day as if it were created just for her. So he walked with her, and talked, and when Gran began souring, Colin comforted her whenever Peg could not.
Like the day on the beach when she wept because Gran had started ranting about the whites, how they conspired to steal his work and cheat him of his money. He was old, Colin told her, and the dreams he'd brought with him simply hadn't happened, and when she wept ever harder he slipped an arm around her shoulder and held her. For ten minutes they stood there, until Peg stepped out from among the trees and saw them, and left.
Lilla, lovely, and bright, and little different from any other child who faced growing up.
But then she was… gone.
And now the nights were filled with the sound of her singing; words no one could catch, words almost like chanting, all over the island as she followed the shoreline. Each night. Every night. As though erecting a barrier against death with her singing.
Grieving before the dying was the excuse people gave her, and the excuse they gave themselves for wishing Gran quickly buried. With him at last under the water, Lilla once again would be the young woman they loved.