От «Акиры» до «Ходячего замка». Как японская анимация перевернула мировой кинематограф — страница 44 из 44

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Standish, Isolde. Akira, Postmodernism and Resistance. In The Worlds of Japanese Popular Culture. Под редакцией D. P. Martinez. Cambridge: Cambridge University Press, 1998.

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Tachibana, Reiko. Narrative as Counter-Memoty: A Half Century of Postwar Writing in Germany and Japan. Albany, NY: State University of New York Press, 1998.

Takada, Akinori. Animeeshon koza bunseki hohOron jOsetsu. In Pop Culture Critique 0 (1997), 19–39.

Takeuchi, Melinda. Kuniyoshi’s Minamoto Raiho and the Earth Spider: Demons and Protest in Late Tokugawa Japan. Ars Orientalis 17 (1987), 5–37.

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Tudor, Andrew. Monsters and Mad Scientists: A Cultural History of the Horror Movie. Oxford: Basil Blackwell, 1989.

Tulloch, John, and Henry Jenkins. Science Fiction Audiences. London: Routledge, 1995.

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Ueno, KOshi. Tenkti no shiro Raputa: eiga no yume, jitsugen to soshitsu. Eureka 29, no. 11 (1997), 158–163.

Ueno, Toshiya. Kurenai no metantsutsu anime to iu senjo/Metal Suits the Red Wars in Japanese Animation. Tokyo: Kodansha, 1998.

Uno, Kathleen S. The Death of Good Wife, Wise Mother? In Postwar Japan as History. Под редакцией Andrew Gordon. Berkeley: University of California Press, 1993.

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Wells, Paul. Understanding Animation. London: Routledge, 1998. Hayao Miyazaki: Floating Worlds, Floating Signifiers. In Art and Design, Profile 53 (1997), 22–26.

Willemen, Paul. Letter to John. In Screen’s The Sexual Subject [no editor]. London: Routledge, 1992.

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Японские книги по аниме (без авторов и редакторов)

The Analysis of Kohaltukidotai. Kodansha: Young Magazine, 1995.

Anime hiroingahO. Media Books. Tokyo: Takeshobo, 1999.

The Art of the Принцесса Мононоке, Studio Ghibli, 1997

Ebuangerion: Owari to hajimari 255. Studio Voice, 1997.

Mononohehime. Animage, 1997.

Mononokehitne o hahu hataru. Tokyo: Comic Box, no. 3, 1997.