Art in America 42, no. 1 (Winter 1954).
Solomon, Deborah. “Artful Survivor: Helen Frankenthaler Stays Loyal to Abstract Expressionism.” New York Times Magazine, May 14, 1989.
Solomon, Deborah. “In Monet’s Light.” New York Times Magazine, November 24, 1991.
Solomon, Deborah. “Interview with Grace Hartigan.” The Saturday Review 11, no. 40 (October 5, 1957).
Solomon, Deborah. “Interview with Helen Frankenthaler.” Partisan Review 51, no. 4, no. 1 (1984–1985).
Solomon, Deborah. Jackson Pollock: A Biography. New York: Cooper Square Press, 2001.
Solomon, Deborah. “The Lyrical Mastery of Helen Frankenthaler.” Unpublished notes for article, 1989.
Solomon, Deborah. “Open House at the Pollocks.” The New Criterion 6, no. 9 (May 1988).
Sontag, Susan. “Notes on Camp.” Partisan Review 31, no. 4 (Fall 1964).
Stahr, Celia S. “Elaine de Kooning, Portraiture and the Politics of Sexuality.” Genders Online Journal 38 (2003).
Stahr, Celia S. “The Social Relations of Abstract Expressionism: An Alternative History.” PhD dissertation, University of Iowa, 1997.
“Statement by Philip Pavia.” New York Artists Equity Association 55th Anniversary Journal, December 18, 2002.
Stefanelli, Joe. “The Cedar Bar.” New York Artists Equity Association 55th Anniversary Journal, December 18, 2002.
Stein, Gertrude. “Wars I have seen”.. New York: Brilliance Books, 1984.
Sterling, Charles. “A Fine ‘David’Reattributed.” The Metropolitan Museum of Art Bulletin 9, no. 5 (January 1951).
Stevens, Mark, and Annalyn Swan. De Kooning: An American Master. New York: Alfred A. Knopf, 2011.
Stevens, Wallace. Collected Poetry and Prose. New York: The Library of America, 1997.
Stevens, Wallace. The Relations between Poetry and Painting. New York: The Museum of Modern Art, 1951.
Stewart, Regina, ed. New York Artists Equity Association 55th Annual Journal, December 18, 2002.
Stone, I. F. The Haunted Fifties. London: The Merlin Press Ltd., 1964.
Stowe, David W. “The Politics of Cafe Society.” The Journal of American History 84, no. 4 (March 1998).
Sweeney, James Johnson. “Five American Painters.” Harper’s Bazaar, no. 2788 (April 1944).
Sweeney, Louise. “Helen Frankenthaler: Painter of the Light Within.” Christian Science Monitor, September 16, 1980.
Sylvester, David. Interviews with American Artists. London: Pimlico, 2002.
Sylvester, David, Richard Schiff, and Marla Prather. Willem de Kooning Paintings. New Haven, CT: Yale University Press, 1996.
“A Symposium: The State of American Art.” Magazine of Art 42, no. 3 (March 1949).
Szarkowski, John, and John Elderfield, eds. “Revisiting the Revisionists: The Modern, Its Critics, and the Cold War.” The Museum of Modern Art at Mid-Century at Home and Abroad. New York: The Museum of Modern Art, 1994.
Tabak, May Natalie. But Not for Love. New York: Horizon Press, 1960.
Taylor, John. “An Interview with Elaine de Kooning in Athens.” Contemporary Art/Southeast 1, no. 1 (April – May 1977).
Terkel, Studs. Hard Times: An Oral History of the Great Depression. New York: The New Press, 1986.
Tracy, Sara W. Alcoholism in America: From Reconstruction to Prohibition. Baltimore, MD: Johns Hopkins University Press, 2005.
Trilling, Lionel. The Liberal Imagination: Essays on Literature and Society. New York: New York Review of Books, 2008.
Trilling, Lionel. “Sex and Science: The Kinsey Report.” Partisan Review 15, no. 4 (April 1948).
Tuchman, Phyllis. “Landscape of Color,” Vogue (February 1985).
Tucker, Marcia. Joan Mitchell. New York: The Whitney Museum of American Art, 1974.
“28 Art Awards Listed in Paris; Five Frenchmen, Three from U.S. Among Winners at First Biennial Show.” New York Times, Wednesday, October 7, 1959.
Valliere, James T. Lee Krasner and Jackson Pollock’s Legacy. New York: Stony Brook Foundation, 2009.
Van Horne, Janice. A Complicated Marriage: My Life with Clement Greenberg. Berkeley, CA: Counterpoint, 2012.
Varnadoe, Kirk, with Pepe Karmel. Jackson Pollock. New York: Museum of Modern Art, 1998.
“The Vocal Girls.” Time 75, no. 18 (May 2, 1960).
Wagner, Anne Middleton. Three Artists (Three Women): Modernism and the Art of Hesse, Krasner, and O’Keeffe. Berkeley: University of California Press, 1996.
Wakefield, Dan. New York in the Fifties. New York: Houghton Mifflin, 1992.
Wald, Allen M. American Night: The Literary Left in the Era of the Cold War. Chapel Hill: University of North Carolina Press, 2014.
Wallach, Amei. “Lee Krasner’s Triumph.” Vogue (November 1983).
Wallach, Amei. “Living Color.” New York Newsday, June 5, 1989.
Wallach, Amei. “Retrospective of a Risk-Taker, Works on Paper.” Newsday, February 24, 1985.
Ward, John L. American Realist Painting 1945–1980. Ann Arbor, MI: UMI Research Press, 1990.
Weibel, Kathryn. Mirror, Mirror: Images of Women Reflected in Popular Culture. New York: Anchor Books, 1977.
Wetzsteon, Ross. Republic of Dreams, Greenwich Village: The American Bohemia, 1910–1960. New York: Simon & Schuster, 2002.
White, E. B. Here Is New York. New York: The Little Bookroom, 1999.
Whyte, Lynn, Jr. Educating Our Daughters: A Challenge to the Colleges. New York: Harper and Bros., 1950.
Whyte, William, Jr. “The Wife Problem.” Life 32, no. 1 (January 2, 1952).
Whyte, William H. The Organization Man. New York: Penguin Books, 1961.
Wilkin, Karen. David Smith. New York: Abbeville Press, 1984.
Wilkin, Karen. “Frankenthaler and Her Critics.” The New Criterion 8, no. 2 (October 1989).
Wilkin, Karen. “Frankenthaler at the Guggenheim.” The New Criterion 16, no. 7 (March 1998).
Wilkin, Karen. Frankenthaler Works on Paper 1949–1984. New York: George Braziller in association with the International Exhibitions Foundation, 1984.
Willard, Charlotte. “Women of American Art.” Look, September 27, 1960.
Williams, Juanita H. “Woman: Myth and Stereotype.” International Journal of Women’s Studies 1, no. 3 (May – June 1978).
Williams, Tennesse. In the Bar of the Tokyo Hotel and Other Plays. Vol. 7 of The Theatre of Tennessee Williams. New York: New Directions, 1950.
Wittner, Lawrence S. Rebels Against War: The American Peace Movement, 1941–1960. New York: Columbia University Press, 1969.
Wolf, Ben. “Portrait of a President: President John F. Kennedy, an Exhibition of Portraits and Sketches by Elaine de Kooning.” Kansas City Art Institute and School of Design, 1965.
Wolfe, Tom. The Painted Word. New York: Picador, 1975.
Вулф Вирджиния. Своя комната. London: Penguin, 1928.
Вулф Вирджиния. На маяк, Hertfordshire, UK: Wordsworth Classics, 1994.
Wright, Morris. “The Violent Land – Some Observations on the Faulkner Country.” Magazine of Art 45, no. 3 (March 1952).
Wydenbruck, Nora. Rilke, Man and Poet: A Biographical Study. London: John Lehmann, 1949.
Yard, Sally. “The Angel and the Demoiselle: Willem de Kooning’s ‘Black Friday.’ ” Record of the Art Museum, Princeton University 50, no. 1 (1991).
“The Year’s Best 1955.” ArtNews 54, no. 9 (January 1956).
Young, Edward. Edward Young’s Conjectures on Original Composition. London: Forgotten Books, 2012.
Zeffirelli, Franco. “Turned-On Architecture: De Kooning and Friends.” Horizon, June 1981.
Zinn, Howard. A People’s History of the United States. New York: Harper Perennial Modern Classics, 2005.
Zucker, Steven Ezekiel. “Art in Dark Times: Abstract Expressionism, Hannah Arendt and the ‘Natality’ of Freedom.” PhD dissertation, City University of New York, 1997.
Благодарности за предоставление авторских прав и разрешений
ArtNews: Excerpts from reviews and articles published with permission of ArtNews, Copyright © Art Media Holdings, LIC.
City Lights: Frank O’Hara, excerpts from “A Step Away from Them” and “Adieu to Norman, Bonjour to Joan and Jean-Paul” from LUNCH POEMS. © 1954 by Frank O’Hara. Reprinted with the permission of The Permissions Company, Inc., on behalf of CityLights Books, citylights.com, and Maureen Granville-Smith, Administratrix of the Estate of Frank O’Hara.
Counterpoint: A COMPLICATED MARRIAGE: MY LIFE WITH CLEMENT GREENBERG, by Janice Van Horne, © 2012 Janice Van Horne. Reprinted by permission of Counterpoint.
Dr. Barbaralee Diamonstein-Spielvogel: INSIDE THE NEW YORK ART WORLD, by Barbaralee Diamonstein-Spielvogel. Rizzoli International Publications, Inc., 1979. Rights granted by copyright holder Dr. Barbaralee Diamonstein-Spielvogel.
Geoffrey Dorfman: OUT OF THE PICTURE, MILTON RESNICK AND THE NEW YORK SCHOOL, by Geoffrey Dorfman. Midmarch Arts Press, 2003. Permission granted by copyright holder Geoffrey Dorfman.
Natalie Edgar: CLUB WITHOUT WALLS, SELECTIONS FROM THE JOURNALS OF PHILIP PAVIA, Natalie Edgar, ed. Midmarch Arts Press, 2007. Permission granted by copyright holder Natalie Edgar.
Farrar, Straus and Giroux: Excerpts from “Joseph Cornell,” “Edwin’s Head,” “In Memory of My Feelings,” “Poem Read at Joan Mitchell’s,” “Poem,” and “The Day the Lady Died” from DIGRESSIONS ON SOME POEMS BY FRANK O’HARA: A MEMOIR by Joe LeSueur. Copyright © 2003 by The Estate of Joe LeSueur. Reprinted by permission of Farrar, Straus and Giroux.
David Frankfurter: Quotations from ORIGINALS: AMERICAN WOMEN ARTISTS, by Eleanor Munro, A Touchstone Book, Simon